Bishop s Same Gender Couples Adoption - 1393 Words

Bishop Disapproves Same-Gender Couples Adoption Rights in Czech Republic In response to a change in the Czech Republic’s law now affirming the rights of LGB people adopting children, Bishop Vaclav Maly—chairman of the Justice and Peace Commission of the Czech Bishops’ Conference—stated: The model of the family, constituted by a man and a woman, has been proved over thousands of years and shown by numerous expert studies to serve a child s physical and psychological needs best,† according to an article on The Tablet. In June of 2016, the Constitutional Court of the Czech Republic struck down the law that kept LGB people in same-gender partnerships from adopting children. The Czech Republic, where Catholicism is the dominant religion, has seen slow change from their landmark decision in 2006 that created a â€Å"registered partnership† class for same-gender couples. Registered partnerships are similar to marriages but with less rights, such as–until recently–not having the right to adopt children. The previous law, however, allowed LGB people not in registered partnerships to adopt and only restricted those in â€Å"registered partnerships.† The court’s June decision allows one member of a registered partnership to adopt but does not yet allow both partners to hold joint custody. In a statement, Bishop Vaclav Maly said that recent increases in child abuse and neglect in the Czech Republic required increased dialogue on the country s adoption and foster care. After researchingShow MoreRelatedSame Sex Marriage Should Be Legal1604 Words   |  7 PagesIntroduction: Marriage is defined as the union of a man and a woman and has been so for many years. Nowadays the controversial topic of same sex marriage or gay marriage is causing outbursts in the public and Government, especially those who are religious and find the union of two men or two women is a sin against God and the Church. The debate against legalizing same-sex marriage consists of arguments insisting that if two people love each other they should be able to marry, contradicting the currentRead MoreLegalization Of Same Sex Marriage Essay963 Words   |  4 PagesShannelle Romuar Alfritz Arevalo Angelika Figueroa Legalization of Same-Sex Marriage I. Introduction Same-sex marriage can also be called gay marriage. This is a marriage between two males or two females, in either a religious setting or in a civil ceremony. Same-sex unions are recorded in the history of a number of cultures but this type of marriage is rare, or doesn’t exist in other cultures .The first law that provided same-sex marriage for the people was in 2001 in the Netherlands. As of JulyRead MoreLife And Struggle Of Lesbians At Work, School And On Television2690 Words   |  11 Pageslesbians in real life and to focus on the feelings lesbians have as mothers. In â€Å"Gender, Genetics and Generation: Reformulating Biology in Lesbian Kinship† by Connie P. Hayden which focuses on the role of biology in relationships, sexuality and gender roles. Hayden discusses the role of blood relations and biology in relation to the â€Å"kinship theory† throughout the United States. The article also focuses on lesbian couples and their issues to be recognized as a n uclear family. Questions that I will beRead MoreA True Definition Of Catholic Marriage Essay2031 Words   |  9 Pageschange that much from the Catholic definition, one common conflict is the idea that love is free, that the idea that love is free expands to the fact that in modern times, not only love is between a man and a woman, but that the same love can be experienced between same-sex couples. 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Judge (2011) Organizational Behaviour 15th Edition New Jersey: Prentice Hall393164 Words   |  1573 Pagesand permission should be obtained from the publisher prior to any prohibited reproduction, storage in a retrieval system, or transmission in any form or by any means, electronic, mechanical, photocopying, recording, or likewise. To obtain permission(s) to use material from this work, please submit a written request to Pearson Education, Inc., Permissions Department, One Lake Street, Upper Saddle Ri ver, New Jersey 07458, or you may fax your request to 201-236-3290. Many of the designations by manufacturersRead MoreRacism and Ethnic Discrimination44667 Words   |  179 PagesDiscrimination in processes promoted by international cooperation agencies and development aid 48 5.4.7 Discrimination through the media 48 2 of 104 Racism and Ethnic Discrimination in Nicaragua November 2006 5.4.8 The impact of racism on gender relations 5.4.9 Migration and racism 5.4.10 Advance of the agricultural frontier 5.5 Manifestations of ethnic discrimination in the economic sphere 5.5.1 Racism and poverty 5.5.2 Inequitable budgetary distribution 5.5.3 Lack of access toRead MoreSda Manual Essay101191 Words   |  405 Pages119 119 119 119 119 119 120 120 120 120 120 121 121 121 121 122 122 122 122 123 123 123 123 124 124 124 124 124 124 125 125 TABLE OF CONTENTS Family Ministries Committee ................................................... Family Ministries Leader(s) ..................................................... 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Difference Between Health And Social Class - 1333 Words

Variations in health and inequality have always been the subject of debates and studies throughout the last century; explanations varied from: our lifestyles, our ethnicity, and even our gender. So why after 100 years of studying this worldwide phenomenon, and producing detailed statistical evidence, with well-informed debates are we still living in a society where inequality in health still exists? One would expect with so much progress in medicine, vast improvements in our living/housing standards; raised awareness and understanding of issues relating to our cultural and genetic profiles, that this inequality would be on par with how society has overcome other inequalities including race and gender. Have we done enough by trying to explain this in terms of the Genetics, Cultural, or Material variants? Or are they all correct, and this kind of inequality in our society is something that is inevitable? Health and ill health on the basis of Cultural/Behaviour is explained as having direct relationships with social class and how their actions determine their health. According to (Bourdieu 1984) Life expectancy amongst people in high social class standing was because of their â€Å"inclination towards a cult of health-consciousness and their appearance of the body: the body as a thing displayed to others†¦and a high value being placed on moderate drinking and careful diet.† What Bourdeau is suggesting is that our lifestyle is determined by our culture, and seems to be suggestingShow MoreRelatedThe American Dream and Class Separation Essay example626 Words   |  3 PagesClass Separation lowers a person’s opportunity to achieve the American dream. As the separation between class increases, there is less possibility of achieving the American dream. Class separation has been around for a while. 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I am going to do this by discussing and evaluating the following explanationsRead MoreInequalities in Health Essay1272 Words   |  6 Pagesname] 11 Inequalities of Health Sociology Gemma McCann Inequalities of health Gemma McCann Word count 1310 Within this assignment I am going to explore the sociological perspectives of Marxism and Functionalism and a brief view on interactionism in relation to health and inequalities in health. I will explore sociological explanations for these inequalities focusing on structural materialist, artefact, social selection and cultural explanations. â€Å"Health is a state of complete physicalRead MoreEssay on Inequalities in Health1301 Words   |  6 Pagesin Health A lot of characteristics of different social classes have changed over the years as society has changed, and the divisions between different classes are perhaps not as clear as they used to be. But it is just as possible to find hundreds of ways in which the lifestyles, behaviour, opportunities and judgments of people are still greatly influenced by the social class they belong to. There are clear differences shown in the relationships between health Read MoreThe Black Report1284 Words   |  6 PagesThe Black Report There are considerable health inequalities amongst Britain’s social classes. Health is formed by socio-economic, political and environmental factors; these elements shape inequalities and influence the health of various social groups in Britain. Health inequalities is the term used to describe the consistent recurring differences of the health complaints involving the social classes of Britain. These differences were first highlighted by Sir Douglas Black in a researchRead MoreThe Battle with Social Class773 Words   |  4 PagesSocial class is a system of social stratification, the hierarchy creates specific types of social inequalities. 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Pakulski and Waters argued that social is dead, due to changes in economic and social structures along with adaptions in social identity and belonging (1996)Read MoreSocial Stratification1648 Words   |  7 PagesSocial stratification defines any structure of inequality that persists in a society across generations. Social strata are groups of people — who belong to the same social class or have the same social level. Social strata are organised in a vertical hierarchy. In the early societies people shared a common social standing. In the hunting and gathering societies there was little stratification: men hunted for meat while women gathered edible plants. The general welfare of the society depended on theRead MoreInequalities in health and illness1511 Wor ds   |  7 Pagesinequalities in health and illness. Evaluate sources of evidence with regards to class, gender, ethnicity and age There are many different reasons why health inequalities exist due to many factors one extremely important one is social class. Socio-economic inequalities have been researched in the UK for many years. In the early 20th century the government started an occupational census which gave the researchers the opportunity to examine health outcomes of social class. The five class scheme was introduced

Gustave Courbets Reclining Nude Analysis Essay Example For Students

Gustave Courbets Reclining Nude Analysis Essay Gustave Courbets Reclining NudeIn the Philadelphia Museum of Art are five paintings by Gustave Courbet;of all of these I found Reclining Nude (1868, Oil on canvas, The Louis ;Stern Collection, 63-81-20) the most interesting. It depicts a nude womanlying on the beach beneath a billowing canopy. A dark, but tranquil sea isin the background. The sky is dark as if the final rays of the sun weredisappearing over the horizon. There are a few clouds in the sky, they aredark but not threatening. The picture is very dark in general and there isno obvious light source. The edges of the painting are so dark it isimpossible to tell what the nude reclines against. A very dim light falls on the woman, who lies on her right side. Theupper half of her torso is twisted to her left and her hips and legs facethe viewer. Her right leg is bent slightly so her calf is beneath herstraightened left leg. The woman is not as thin as classical nudes, herhips are somewhat broad and her thighs are slightly heavy. Her arms arecrossed languidly over her head. Because her arms are crossed over herhead, her face is almost completely in the shadows; this shadowing coversthe detail of her face in such a way that she could be almost anyone. Shegazes wistfully at the ground to her left. The woman is rendered very softly and is in a very sensuous pose. Thispicture would have been found scandalous for its sexual overtones as wasCourbets La Demoiselles au bord de la Seine. A scarlet cloth lies infront of her; it has a very rumpled look which has sexual implications. The vacant, wistful look and the languid crossing of her arms suggests thatshe is thinking of a lover who has just left her. The careful shadowing ofher facial features leads one to believe she has something to hide frompublic knowledge. It is not covered enough, however, for one to believeshe has any shame for appearing in so public a place in such a position;this, too, would have been found scandalous in the 1860s. Now, however,compared to such displays of sexuality and nudity as found in magazinessuch as Penthouse and Playgirl or X-rated movies, the picture is perceivedas a modest, proper display of sexuality. Today there is nothing offensiveabout the womans display of sexuality. One other reason that the critics and public would have found thispicture offensive is that to them this is not a display of nudity, but adisplay of nakedness. The woman is perceived as naked rather than nude,because she is not in a classical setting or an important person portrayedin a classical setting. This is not a picture of a nude Venus rising fromthe sea foam or a nude Psyche with her adoring Cupid. This woman is noteven a rich patroness being portrayed in one of the classical settings. This woman could be any fair-haired woman;whe is a common woman, mostlikely the artists mistress or even a prostitute. Her nudity is forsensual display, not for classical purposes, therefore it was perceived asnakedness and therefore obscene. Though the woman in combination with her surroundings may have beenoffensive, there is nothing offensive about her surroundings alone. Thesetting is a beach at nightfall. In the foreground one sees a brightscarlet cloth lying on a dark beach. It is a very ruffly piece of clothtossed casulally aside. In the middle ground is the woman, and whatevershe reclines against. It is so dark that one cannot tell what it is, butit is painted in bold, swirling brush strokes; there is very little colorother than black, aside from a few spots of red and gray. Also in themiddle ground is the billowing canopy under which the woman reclines. Uponclose inspection one can see the canopy is gray and blue striped with thinstripes of scarlet. The canopy appears to be blowing gently in the wind. .u106b37f6bb7b08af7e34c98978f94679 , .u106b37f6bb7b08af7e34c98978f94679 .postImageUrl , .u106b37f6bb7b08af7e34c98978f94679 .centered-text-area { min-height: 80px; position: relative; } .u106b37f6bb7b08af7e34c98978f94679 , .u106b37f6bb7b08af7e34c98978f94679:hover , .u106b37f6bb7b08af7e34c98978f94679:visited , .u106b37f6bb7b08af7e34c98978f94679:active { border:0!important; } .u106b37f6bb7b08af7e34c98978f94679 .clearfix:after { content: ""; display: table; clear: both; } .u106b37f6bb7b08af7e34c98978f94679 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u106b37f6bb7b08af7e34c98978f94679:active , .u106b37f6bb7b08af7e34c98978f94679:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u106b37f6bb7b08af7e34c98978f94679 .centered-text-area { width: 100%; position: relative ; } .u106b37f6bb7b08af7e34c98978f94679 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u106b37f6bb7b08af7e34c98978f94679 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u106b37f6bb7b08af7e34c98978f94679 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u106b37f6bb7b08af7e34c98978f94679:hover .ctaButton { background-color: #34495E!important; } .u106b37f6bb7b08af7e34c98978f94679 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u106b37f6bb7b08af7e34c98978f94679 .u106b37f6bb7b08af7e34c98978f94679-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u106b37f6bb7b08af7e34c98978f94679:after { content: ""; display: block; clear: both; } READ: Prosses report on swimming the EssayA loose rope sways slightly. It curves gently to the right. The background is beautifully executed. Behind the nude are the edge ofthe beach, the ocean, and the night sky. The beach is very dark as is theocean. However, if one looks closely at the ocean can see the gentle wavesof the sea and two tiny sailboats on the horizon. The sky has the beautyof the actual sky as the last colors of the sunset fade over the horizon. The sky highest above the ocean is a very dark gray. In the lighter skyjust below it one can see dark billowing clouds. The sky just above thehorizon is pinkish and purplish from a distance. The whole background isvery tranquil, very peaceful. The coloring of the picture is somewhat disappointing. While onerealizes that the time of day which is portrayed is hardly conducive tobright colors, one is still diappointed by the small range of colors used. Courbet uses black, grayu, a blue grey, and scarlet. The only thing withlight coloring is the nude, but the flewh tones are very cool colors. There is only one bright color, the cool red which is repeated in thewomans cheeks, lips and nipple. The stripes of red in the canopy are notbright at all as they are so muted by the grays and blues. The way inwhich the scarlet cloth in the foreground calls immediate attention toCourbetthree-quarter inch signature in the left-hand corner almost makesone wonder if thaat one bright splotch of color wasnt added foregotistical reasons. One remembers how the sky above the horizon seemed tohave a pink or purple cast, but on closer inspection one finds that it isreally a flat bluish-gray. The darkness of the color is understandable,but I believe Monsieur Courbet could have used a wider range of color. There is also little lighting in the picture but it is used moreeffectively than the colors. A dim light falls on the model, but it isjust enough to light her sufficiently to make her stand out. This same dimlight falls on a small area of beach around her enabling one to see therich texture of the sand. Another area of dim light is found just abovethe horizon, relieving one from the dark infinity of the sky. While thepicture is very dark it is not totally without light. While one may find fault with the lack of a wide range of color, onecannot find fault with Courbets technical skills. The picture is wellbalanced as the outer line of the red cloth in the left hand corner repeatsthe line of the left side of the womans body and the gentle curve of therope hanging from the canopy repeats the line of the right hand side of herbody. The dim circle of light in the foreground is echoed in the bit ofdim light on the horizon, giving the picture of a deeper perspective. The juxtaposition of the woman and the canopy which falls from the righthand corner divides the canvas into three triangular shaped pieces of moreor less the same size. This division brings the focal point of thesetriangles to the womans face. If one starts at the focal point, the rangeof ones field of vision opens to follow the diverging lines thereby takingin the whole painting until ones eyes reach the frame. Then ones gaze isbrought back along the lines until it converges on the face of the woman. Because the area of the top left hand corner is so dark, it puts even moreemphasis on the head of the woman as a focal part. This careful, fanlikedivision of the picture into three similar shapes is balancing as well asenabling the artist to direct the viewers eyes. If one follows theselines of vision one is more able to appreciate Courbets careful attentionto the curves and anatomy of the womans body, as well as his eye for smalldetail such as the two tiny boats on the horizon. While many critics ofCourbets time could not understand his choice of subject matter, theycould appreciate his execution of the subject matter. .u06a8d4cf32b6b0f968ff3deab33fbbc5 , .u06a8d4cf32b6b0f968ff3deab33fbbc5 .postImageUrl , .u06a8d4cf32b6b0f968ff3deab33fbbc5 .centered-text-area { min-height: 80px; position: relative; } .u06a8d4cf32b6b0f968ff3deab33fbbc5 , .u06a8d4cf32b6b0f968ff3deab33fbbc5:hover , .u06a8d4cf32b6b0f968ff3deab33fbbc5:visited , .u06a8d4cf32b6b0f968ff3deab33fbbc5:active { border:0!important; } .u06a8d4cf32b6b0f968ff3deab33fbbc5 .clearfix:after { content: ""; display: table; clear: both; } .u06a8d4cf32b6b0f968ff3deab33fbbc5 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u06a8d4cf32b6b0f968ff3deab33fbbc5:active , .u06a8d4cf32b6b0f968ff3deab33fbbc5:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u06a8d4cf32b6b0f968ff3deab33fbbc5 .centered-text-area { width: 100%; position: relative ; } .u06a8d4cf32b6b0f968ff3deab33fbbc5 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u06a8d4cf32b6b0f968ff3deab33fbbc5 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u06a8d4cf32b6b0f968ff3deab33fbbc5 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u06a8d4cf32b6b0f968ff3deab33fbbc5:hover .ctaButton { background-color: #34495E!important; } .u06a8d4cf32b6b0f968ff3deab33fbbc5 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u06a8d4cf32b6b0f968ff3deab33fbbc5 .u06a8d4cf32b6b0f968ff3deab33fbbc5-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u06a8d4cf32b6b0f968ff3deab33fbbc5:after { content: ""; display: block; clear: both; } READ: Architecture Personal Statement EssayGustave Courbets subject matter may not have been understood orconsidered proper in his day, but now they are considered to be moreacceptable. One, whether of the past or present, must appreciate histechnical abilities; his mastery of line, form, and balance. Though hislack of color is disappointing, the picture in itself is very pleasing tolook at because it is such a tran- quil, restful scene. While Courbet wasnot totally appreciated in his day, he is in these times considered to bean excellent artist.